Message to suburban elements

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In order to divert your obsessive thinking about poor developments in the world order, close your eyes and ears, and take note:

What’s up there?

What’s there / up there?
just look, and think:
why?

Now that you are attentive, consider this:

Itching

Thre thre thre / dam ach sto gho per /

sell Rome never / sell less than ever /

you say words / just that /

words that itch / just that

empty mouth / movements

in vain action / of jaw muscles

The solution will not arrive from understanding, but acception.

Clear water

Clear water is essential / in the acception of future events /

even if dark elements take control / over our movement /

and our experience gets blurred / by our inability to understand /

time / as the power of movement / and standstill.

Do not take things as these are, but start by improving yourself

Cracks in cohesion: changes in rural life in France.

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This impression was written in 2017, edited 2020

Up until about thirty years ago, villages in France each had their ‘alimentation*’, ‘boulangerie’, boucherie and one or more cafes. In larger villages – as in cities – there was also the ‘quincaillerie’.

Elder men sat on benches smoking pipe while looking at others playing ‘petanque’.

Alimentation in Les Plantiers, (Departement Gard,) about 1980, postcard

As prehistory tells, the earliest humanoid presence in France dates from > 1.5 million years. Up untill 5.000 years ago pockets of human inhabitation consisted of small settlements. In the neolithic period (circa 4500-1700 bc) agriculture was adopted, with parallel development of appropriate tools to work the land and store produced foods. As such, potteries became established. Settlements increased in size.

The following era’s were defined – in archeological terms – by the metal that dominated in tools (and ornaments), with iron, copper, followed by bronze. A major change occurred with the colonization of France (‘Gaul’) by the Roman Empire, of which period many remains are still scattered across the country.

With industrialization in the 19th century the rate increased at which urbanization occurred – with people departing from agricutural regions, a process that continues up to today. Examples of ‘villages abandonnées’ are found all over France’s rural areas. In some regions erosion added to the abandonment of villages.

Abandonned village in The Provence, ca 1980, photo DM

In addition, there occurred the devastating effect of “La grande Guerre” (WW-I), in particular in the north of France. Whole villages were destroyed to the ground, never to be rebuild. In the area above Verdun several of these destroyed villages (‘villages detruits’) can be found. In villages that survived – which ever the size – memorials were raised incised with long lists of victims.

Mort pour la France (Grancey le Chateau, Dep. Côte d’Or) photo DM 2017

However, despite the fact that grenates and bodies were being dug up for decades after the war, life gradually resumed it’s normal course.

Farmer ploughing, Haute-Marne, photo DM 2017

Society in these areas for most of the 20th century still can be defined as people with their connection to their family, work, village, the church, the school, and trade at markets and shops. For travel – if not by car – many railways served to link villages and cities.

Gare de Veynes-Devoluy, (Dep. Hautes-Alpes), photo DM 1997.

Now in 2017

Many villages no longer have their ‘alimentation’ or even ‘boulangerie’. People must go to large shopping centers on the outskirts of larger cities.

Abandonned bakery (‘boulangerie’, in Langres, Dep. Haute-Marne), photo DM 2017.

In small cities like Langres, the same pressure closing smaller stores exists, but the population plus tourists serve to maintain the economy of others.

Boulangerie Maison Gallien, Langres, photo DM 2017

Yet, even in Langres this nice bakery, “Boulangerie Maison Gallien” is threatened with closure, since neighbours – unlike in previous times – now complain about the noise of the bakery at 4 o’clock in the morning. (sign on door: “Nuisances Sonores – une boulangerie en difficulté”, or “Noise Disturbences – a bakery in problems”, post from Le Journal de la Haute-Marne). Likely, ‘modern city people’ working from 8.30 till 17 hours, tolerate less than earlier inhabitants.

Many railroads have ceased to exist. Schools have closed or are threatened with closure. The ‘cementos’ of society crumbles. Foreigners (mostly dutch) buying houses for use during holidays stop decay of abandoned houses to some extent, but leave emptiness during many months in the year.

Grancey le Chateau-Neuvilles, Le Pavillon (Dep. Côte d’Or) . Abandonned railway station and former track. photo DM 2017

Perspective

The sometimes exorbitant prices of houses / appartments and of living in large cities such as Paris, plus the unhealthy environment (pollution) and the increased number of retired people are all factors that lead to a move out of these cities towards the country. The existence of rapid trains supports this option. For retailers of small shops, however, future remains uncertain.

The presence of places of interest, like former Abbey of Auberive, now also Museum of Contemporary Art (focus on ‘independent art’) helps to maintain enterprises such as Boulangerie – Alimentation & Café de l’Abbatiale in Auberive. (Departement de Haute-Marne)

Boulangerie – Alimentation & Café de l’Abbatiale in Auberive, photo DM 2017

Note, added June 1st 2020

The COVID19 Corona-virus pandemie, that also struck France heavily, and led to a lock-down (including inability to move freely for > 1 km from home) for more than 2 months, might stimulate a move from the city to the country.

*translation of terms

alimentation: food shop

boulangerie: bakery

quincaillerie: hardware shop

© Drager Meurtant, 2017, 2020

Snow in the High Moors / Hautes Fagnes / Hohes Fenn

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A return to the country visited as a kid led to Hautes Fagnes / Hohes Fenn or the High Moors, in Belgium.

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In the eastern, German-speaking part, close to Eupen, presence and memories mingled

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Thursday February 27th, winter arrived, a rare guest this year

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The snow creates silence, when it falls

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Most sounds in the landscape are absorbed, and trees bear heavy white loads, branches bent

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A shed is a hide-out for memories

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And only when the snow is melting, returns the sound of water

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Nearby, dripping from branches or roofs, at distance, the sound of the rivulet running down-hill

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the stream soon retarded and widening into a bassin

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Then leaving around the corner

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Text and images (c) Drager Meurtant, February 2020

Bahnbetriebswerk Bayerischer Bahnhof

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With railways becoming the most important means of transport over land in the 19th century, repair units also had to be established.

Already in 1842, a repair unit for trains was established south of Leipzig (Germany) as the “Bahnbetriebswerk Bayerischer Bahnhof”.
Build in a half-circle, the repair unit allowed several locks to be examined and repaired.
During the second world-war, heavy damage was suffered, with some units repaired after the war, untill around 2000 it was no longer was kept functioning.

Now, kids can play with skates, and grafitti artists take the opportunity to decorate the abandoned place.

Bahnbetriebswerk Bayerischer Bahnhof

Turning circle allowing trains to enter different sections of the repair unit.

 

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“Hush, perfection has no name”.

 

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The inner state

 

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Broken windows (the cat’s view)

 

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The circle and the pitts

 

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A laugh at a time brings mircacles

 

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The crane to lift

 

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Heating

 

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Transport of paint tubes

 

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At the turning point

 

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“Hola”

 

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Unit to steer currents

Feathers and cones / Veren en appels

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Feathers and cones

What drives the wheel

to move around

to the image

to be seen,

the words

to appear in ink.

Just three feathers

amidst the cones of

cupressus sempervirens.

 

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Veren en appels

Wat doet het wiel

rondgaan

naar het beeld dat

te zien valt

de woorden die

in inkt zichtbaar worden.

Slechts drie veren

temidden van de appels van

cupressus sempervirens.

 

(photo in Edessa, Hellas, May 2019, poem January 2020, (c) Drager Meurtant)

De ruine van de Sint-Amelbergakerk in Bossuit. / The ruin of Sint-Amelberga Church in Bossuit.

Rijdend van Rijssel (N. Frankrijk) naar het Noorden, passeerden we Bossuit. De kerk-ruine deed ons stoppen en de camera pakken.

Driving from Rijssel / Lille (N. France) to the north, we passed Bossuit. The Church-ruin made us halt and take the camera.

 

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Centrale hof (Z-zijde) / central court (S-side)

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Central hof  (N-zijde) / central court (N-side)

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Alkoof / Alcove

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Hoek / Corner

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Wijwater-font / bassin for holy-water

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Spin-rag / spider web

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Meter / meter

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Toren / tower

Historie:

De huidige Sint-Amelbergakerk in Bossuit (Avelgem, Belgie) werd in 1857 opgetrokken naar een ontwerp van de Kortrijkse architect P.N. Croquison, en verving toen een oude vermoedelijk Romaanse kerk. De kerktoren moest na de Eerste Wereldoorlog heropgebouwd worden.

In 2008 werd de kerk ontrokken aan het gebruik voor religieuze diensten.

Tot gebruik als kunstruimte werd toen besluiten, en de Brits-Amerikaanse kunstenares Ellen Harvey maakte ontwerp, waarbij invulling als publieke ruimte doel was, met behoud van de kerk als centrale positie de textuur van het dorp. Het dak, deuren en ramen en vloer werden weggenomen en tegen de muren werden klimplanten geplaatst. Er werd een nieuwe terrazzovloer aangelegd. In de vloer werd in licht grijs de schaduw van de kerk van Avelgem verwerkt die in de Eerste Wereldoorlog werd verwoest. Lijnen en volumes, eveneens in het grijs, verwijzen naar de ribben van de gewelven, de contouren van de zuilen, de hoofd- en zijaltaren.

Tekst ontleend aan https://www.crkc.be/kunstkerk-bossuit

History

The Sint-Amelga Church in Bossuit (Avelgem, Belgium) was raised in 1857, following a design by architect from Kortrijk, P.N. Croquison, and replaced probably an old Roman church. The tower of the church had to be reconstructed after World-War I.

In 2008, the church was placed out of service for religious purpose.

It was decided to transform the church to an art-space, with function as public space. The British artist Ellen Harvey made a design, that stripped the church of roof, doors and windows and floor, and placement of plants against the wall. The ruin was aimed to remain central in the texture of ther village. A new terazzofloor was laid, with in it was woven the shadow of the church in Avelgem that was destroyed in Word-War-I. Lines and volumes point to ribs of arches, contours of pillars, head and side altars,

Text derived from https://www.crkc.be/kunstkerk-bossuit

all photos (c) Drager Meurtant, 2019.

Beds and Fences

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People often buy a bed, when entering adulthood. A bigger bed, when living (and sleeping) together.

When getting old, the number of hours in bed often increases, even when sleep is more disturbed and irregular.

Then comes the time, that those who used the bed, will pass away.

In some regions, people tend to use the bed spiral base, that is left alone, for other purposes. Preferred is their use as part of a fence or gate.

Walking in Las Hurdes (Spain) in 2018, we encountered several such transformations.

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Bed spiral turned into a fence (1)

 

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Bed spiral turned into a fence (2)

 

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Bed spiral turned into a fence (3)

 

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Bed spiral turned into a fence (4)

One must not be surprised by the fact, that in the same environment, the number of abandoned houses is high.

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House abandoned in Las Hurdes (Spain)

It need more research, to establish whether the transformation of (usable?) bed spirals inherited from parents or grandparents, is caused by unwillingness to sleep on such elements earlier used by people that have passed away, or by the wish to have better quality. Yet, the transformation into fences or gates has significance as signal of the border of states of existence.

 

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“Curiosity and strangers / are good partners” (Las Hurdes, Spain, photos and text Drager Meurtant, 2018-2019)

A house in the mountains

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There was someone, who built a home.

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There was a home, built by someone, once.

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Friends helped at times, I’m sure.

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Someone is no more, at least not here.

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(Perhaps this someone, is now in a senior home elsewhere)

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The home gradually, becomes less, and less.

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A view from the kitchen window

 

Outside, flowers grow.

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(Travel in Macedonia, Greece. West of Orma, in the mountains, May 2019.)

(c) Drager Meurtant

Ensemble de Creatures and l’Autre Ensemble de Creatures

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In 2014, and again in 2018-2019, artwork came into existence, that may be seen as ‘Ensemble de Creatures’

In 2014, en opnieuw in 2018-2019, ontstond een kunstwerk dat gezien wordt als een ‘Ensemble de Creatures.

(1) Ensemble de Creatures (2014)

Some creatures / placed behind glass and it’s double / others in front / all take their place / that is determined / by the other.

The house is a dream / which is within reach and / the cage protects against breakage.

Wings need a starting – or resting point.

The cadre / points to the space / outside.

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Sommige creaturen / geplaatst achter glas en wel dubbel / anderen ervoor / nemen ze ieder een plaats in / die bepaald wordt door de ander.

Het huis is een droom / maar binnen bereik en / de kooi beschermt tegen breuk.

Vleugels hebben een start- of rustpunt nodig.

Het kader / duidt de ruimte / daar buiten.

(c) Drager Meurtant, 2014 (mixed media, wood, metal, glass, ‘objets trouvés’, paint, 75x53x27 cm)

 

(2) At the start of the next ‘ensemble de creature’, this panel – having been used to separate the doghouse and dog run – was taken.

Aan het begin van het volgende ‘ensemble de creatures’, dit paneel was gekozen – eerder gebruikt om hondenhok van – ren te scheiden.

Ensemble de creature - outline

 

l’Autre Ensemble de Creatures (2018-2019)

Already, the flamed / pattern of the wooden panel / held the design of this painting.

The nails of the dog / (think it was a bouvier de flandres) / added scratches, that were given company / by the cutting effects / of an angle grinder.

The fields that surfaced / became creatures of some kind / as colors were applied.

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Het gevlamde patroon / in het houten paneel / bevatte al de opzet / van dit schilderij.

De nagels van de hond / (denkelijk een bouvier) / voegde krassen toe / die gezelschap kregen / door het bijtend effect / van een haakse slijper.

De velden die / aan het oppervlak kwamen / werden creaturen van enig soort / toen kleuren werden aangebracht.

Painting / Schilderij, winter 2018 – 2019. Poem / gedicht 6 Augustus 2019.

Alle text and images (c) Drager Meurtant.

http://www.meurtant.exto.org

Ancient Stones

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In countries like Greece, the visitor must rely on stones to get a grasp of history and important developments of culture.

During a short journey in May 2019, In the department of Pella, Macedonia, Greece, we followed signs indicating “Ancient Archeological Site of Petres”.

When arriving there, and having parked the rented car and after walking about 400 m, the most surprising elements to us, were ancient big jars, present in many houses, that had been installed to store water (photo 1).

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Looking at the plan of the small city, with rectangular houses, one starts to imagine people walking here, more than two thousand years ago. Discussing family affairs, the harvest, trade, threats… (photo 2).

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The firm conclusion was: use talk, or writing, as social medium.

Information about the history of Ancient Petres:

“The ancient city occupies a natural mound to the NW of the village of Petres, in the region of Florina. Its total area reached 15-20 hectares and was protected by a fortification wall built of poros stone. The enclosed area included houses, and public buildings erected in a free layout, separated by streets, 2.5 m. wide. The city was founded in the 3rd century B.C. by Antigonos Gonatas, it flourished in the 2nd century B.C. and it ceased to exist in the 1st century B.C. It was again inhabited in the Roman period, but it moved to a different site.

The archaeological evidence leads to the conclusion that the city owed its development to its strategic position on the Egnatia Road and to its commercial exchanges with other Greek cities. The excavations of the site revealed useful information on the types of the private houses, which were continuously used in north-west Macedonia as late as the 19th century.

Excavations on the site were begun in 1982 and are still in progress, along with restoration and consolidation work of the ancient remains.

Wikimapia, with use of infomation of: http://odysseus.culture.gr/h/3/eh352.jsp?obj_id=2653,