Ensemble de Creatures and l’Autre Ensemble de Creatures

Tags

assemblage, collage, creation, kunst, painting, philosophy, poem, poetry, recycling-art, schepping, surrealistic

In 2014, and again in 2018-2019, artwork came into existence, that may be seen as ‘Ensemble de Creatures’

In 2014, en opnieuw in 2018-2019, ontstond een kunstwerk dat gezien wordt als een ‘Ensemble de Creatures.

(1) Ensemble de Creatures (2014)

Some creatures / placed behind glass and it’s double / others in front / all take their place / that is determined / by the other.

The house is a dream / which is within reach and / the cage protects against breakage.

Wings need a starting – or resting point.

The cadre / points to the space / outside.

Sommige creaturen / geplaatst achter glas en wel dubbel / anderen ervoor / nemen ze ieder een plaats in / die bepaald wordt door de ander.

Het huis is een droom / maar binnen bereik en / de kooi beschermt tegen breuk.

Vleugels hebben een start- of rustpunt nodig.

Het kader / duidt de ruimte / daar buiten.

(c) Drager Meurtant, 2014 (mixed media, wood, metal, glass, ‘objets trouvés’, paint, 75x53x27 cm)

 

(2) At the start of the next ‘ensemble de creature’, this panel – having been used to separate the doghouse and dog run – was taken.

Aan het begin van het volgende ‘ensemble de creatures’, dit paneel was gekozen – eerder gebruikt om hondenhok van – ren te scheiden.

 

l’Autre Ensemble de Creatures (2018-2019)

Already, the flamed / pattern of the wooden panel / held the design of this painting.

The nails of the dog / (think it was a bouvier de flandres) / added scratches, that were given company / by the cutting effects / of an angle grinder.

The fields that surfaced / became creatures of some kind / as colors were applied.

Het gevlamde patroon / in het houten paneel / bevatte al de opzet / van dit schilderij.

De nagels van de hond / (denkelijk een bouvier) / voegde krassen toe / die gezelschap kregen / door het bijtend effect / van een haakse slijper.

De velden die / aan het oppervlak kwamen / werden creaturen van enig soort / toen kleuren werden aangebracht.

Painting / Schilderij, winter 2018 – 2019. Poem / gedicht 6 Augustus 2019.

Alle text and images (c) Drager Meurtant.

http://www.meurtant.exto.org

The directorate of dreams

Tags

abstract, assemblage, dreams, dromen, gedicht, grafiek, graphics, kunst, lino-cut, monoprint, philosophy, photography, poem, poetry, street-view

When dreams arrive, the content is not indicated on the envelope

(Jacques de Santo Torres (1888-1972)

A first dream:

Sitting in the backseat of a car, with increasing speed going down a steep slope and then, the gradual discovery that the driver is asleep, or dead?

Next, a second dream:

Walking through corridors that resemble my former school, realizing that preparations for exams at the end of this year have been poor, that time and perseverance is lacking, always being too late for class and ill-focused…

Then, a third dream :

People are waiting for me, to take charge. To deal and treat conditions of defect, of suffering. Yet, I don’t know the password and I’m not dressed to the occasion. I’m simply not instrumental…

These are dreams that threaten with defeat, that reflect one’s inner perception to be doomed to failure. I do not have a subscription to such dreams. But, once in a while, ill-managed delivery makes these land on my doorstep.

« – »

Can a dream be a memory?

Dreaming Cubistic, Drager Meurtant, August 17, 2017

Can a dream

be a memory

and if so

depends the format

on the shape of the display?

« – »

From dreams I turn to the real world. That is, if the creation of art is part of the real world, and not (more so) placed at the border of the dream-world and the dreadful daily circumstances of life. Some time ago I recited a poem standing opposite of a statue which I had made, and surrounded by spectators and listeners. That time I chose the position of the creator, and the statue was obliged to listen.

« – »

Poem for a statue

Rudimentary, Drager Meurtant (2016)

Statue, you look at me

with your fool’s eyes,

that are no eyes.

Statue, your mouth swears

my imperfection

to tell the truth.

You suck me empty

you drown my power

you feed yourself

with my imagination

and leave me hollow.

« – »

Streaks on the window

Streaks on the window (Drager Meurtant, December 4, 2017)

The streaks on the windows

don’t say nothing,

such as “when do

I see you again?”

at the exit

of the supermarket.

« – »

Bridges are encountered in several forms of dreams. As stated by an expert in dreams: “The bridge often has the significance of crossing or moving from one phase of life, activity or emphasis to another” (reference: Tony Crisp, http://dreamhawk.com/dream-dictionary/bridge-2/).

What if a bridge?

What if a bridge?, Drager Meurtant, lino-cut, 2017 (ed. 1/3)

What if

a bridge exists

only in your dream?

And the abyss

before you

is real?

« – »

Passage

Untitled (Pyrenean landscape 1983, monoprint, Drager Meurtant, 2017

The other night

I ran down a gentle slope

my feet not touching ground

just kicking air

holding my breath from expiring

to continue this state of floating

as long as could be…

 

Moment

Tags

abstract, condition humaine, coping, Dada, essential, fotografie, gedicht, kunst, philosophy, photography, poem, poetry

When emotions no longer

are stirred by elements

that pass.

When anger is frozen

by lack of a proper

target.

Then comes the moment

to turn the page.

Wanneer emoties niet langer

worden opgeroepen door elementen

die langs komen,

Als woede is bevroren

bij gebrek aan een geschikt

doel,

Dan komt het moment

de bladzij om te slaan.

(c) Drager Meurtant, text & photo, March 1, 2018

Doubt – Twijfel

Tags

Dada, Decay, direction, found-object, gedicht, installation, instruction, nothingness, poem, poezie, temporary, verval

Doubt

‘Don’t follow me’
the guide said, and
disappeared around the corner.

An instruction needs
critical examination
full of doubt
before being left
behind,
unused.

Twijfel

‘Volg mij niet’

zei de gids, en

verdween om de hoek.

Een aanwijzing dient

steeds kritisch en

met twijfel onderzocht

te worden,

vooraleer deze

ongebruikt achter te laten.

 

<Image and text (c) Drager Meurtant, 2017>