• About

dragermeurtant

~ The world is made up of elements. One may catch those by light-writing, or take physical parts in the hand and fit these together (assemblage)

dragermeurtant

Tag Archives: poezie

Sense or no sense

14 Thursday Mar 2019

Posted by dragermeurtant in death, defense, internet, kunst, mental health, philosophy, photography, poem, poetry, poezie, society, street photography, Uncategorized

≈ Leave a comment

Tags

antenna, antenne, connection, coping, Dada, digital, fotografie, gedicht, gezondheid, health, internet, kunst, philosophy, photography, poetry, poezie, verbinding

Where and when sense switches to no – sense, is illustrated by three poems and images.

Ears

The size of ears / devised to hear signals

of distant life

parallels / the loss of perception

from life nearby.

big ears

 

Call center

“Think simple and relax:

by moving this job to Asia / the lady has more time/ to go shopping

and that’s good/ for our economy.”

call center

 

Digital death

We are digitally / close to death

after loosing three / of our passwords

and having forgotten / the birthdate of

our parents.

The screen will snow / and our ears hear

the whistle of / the amazone

going by.

digital death

(photos and text (c) Drager Meurtant)

Water – H2O

14 Thursday Dec 2017

Posted by dragermeurtant in art, assemblage, Dada, kunst, painting, poem, poetry, poezie, street photography, Uncategorized

≈ Leave a comment

Tags

assemblage, collage, Dada, fotografie, gedicht, kunst, nothingness, painting, philosophy, photography, poetry, poezie

Let us linger on the state of water, as fluid.

Laat ons stilstaan bij de staat van water, als vloeistof.

 

(1) Barges on the River Maas

Barges flatten the water / till waves / roll aside / from the prow, /

take distance / and break upon the river-bank. //

Reeds move / and dampen the billows. //

On the river /  the distance is crossed by foam /

that separates left from right, /

there, where the goal / has been passed. //

With eyes looking ahead / steers the skipper / the vessel /

towards another bend / in the counter current. //

Crawling crosspoint / in going / passed the mill-point.

(poem 2000, photo 2012)

DSC01584

(1) Aken op de Maas

Aken varen water, plat / tot golven, / uit de boeg / opzij rollen, /

afstand nemen / en breken op de wal. //

Het riet beweegt / en dooft de deining. //

Op de rivier / streept schuim de afstand door / scheidt links van rechts, /

daar, waar het doel / is voorbij gevaren. //

Ogen vooruit gericht, / stuurt de schipper / zijn vaartuig /

naar weer een bocht / in de tegenstroom. //

Kruipend kruispunt / in het gaan / voorbij het maalpunt.

(gedicht 2000, foto 2012)

 

(2) The Face of the stream

“The face of the stream / changed with the seasons . . . now it wore a gentle face”

 

(from: Morris West – The devil’s advocate)

the face of the stream

(Het gezicht van de rivier / veranderde met de seizoenen . . . nu was het aanzicht vriendelijk”)

(uit: Morris West – The devil’s advocate)

(painting / schilderij, 21×29 cm, 2017)

 

(3) Currents

Still, I don’t know / whether to swim / against the current / or to drift along. //

For the time being / I watch what / happens to others.

DSC06494

(3) Stromingen

Nog steeds weet ik niet / of ik tegen de stroom in / moet zwemmen /

of me mee / moet laten drijven. //

Voorlopig kijk ik toe / naar wat anderen overkomt.

(Assemblage-collage, 2016, 30x21x3 cm)

 

(all texts and artworks by Drager Meurtant, unless stated otherwise)

Doubt – Twijfel

08 Sunday Oct 2017

Posted by dragermeurtant in art, assemblage, Dada, Decay, installation, kunst, philosophy, poem, poetry, poezie, structure, Uncategorized

≈ Leave a comment

Tags

Dada, Decay, direction, found-object, gedicht, installation, instruction, nothingness, poem, poezie, temporary, verval

Doubt

‘Don’t follow me’
the guide said, and
disappeared around the corner.

An instruction needs
critical examination
full of doubt
before being left
behind,
unused.

DSC07807

Twijfel

‘Volg mij niet’
zei de gids, en
verdween om de hoek.
Een aanwijzing dient
steeds kritisch en
met twijfel onderzocht
te worden,
vooraleer deze
ongebruikt achter te laten.

 

<Image and text (c) Drager Meurtant, 2017>

Now tell me . . . / Vertel eens . . .

20 Wednesday Sep 2017

Posted by dragermeurtant in Dada, kunst, mental health, philosophy, poem, poetry, poezie, retirement, society, Uncategorized

≈ 1 Comment

Tags

abandonned, coping, Dada, emptiness, fotografie, gedicht, health, kunst, philosophy, photography, poetry, poezie, state of life, verlaten

Now tell me

“Hello Doctor, / come in and / please be seated.”

(a moment of silence)

“I prefer we get / to business / right away.

Now tell me:

what use / were you / for society?”

DSC03873ZW

Vertel eens

Hallo Doctor, / kom binnen / en neem een stoel.

(een moment van stilte)

“Ik kom graag / meteen ter zake.

Vertel eens:

welk nut had U / voor de maatschappij?”

An easy path? / Een makkelijk pad?

08 Tuesday Aug 2017

Posted by dragermeurtant in art, Dada, kunst, landscape, painting, philosophy, poem, poetry, poezie, street photography, structure, Uncategorized

≈ Leave a comment

Tags

Dada, emptiness, fotografie, gedicht, kunst, painting, photography, poetry, poezie, schilderij

Obstacle

Wandering in the forest / the frst impression was / to be confronted by obstacles. //

However, at close inspection / the elements had been constructed /

to bridge a gap.

DSC07906

Obstakel

Dwalend door het bos / was de eerste indruk / te stuiten op obstakels. //

Maar, bij nadere inspectie / bleken de elementen te zijn ontworpen /

om een kloof te dichten.

____________________________________________________________________________________

Do not enter

The medium is clear / that of mixed-media. //

The intention, no … /

the aim is to provide / an easy path through the delta /

of my inner meandering.

DSC07934

Ga niet binnen

Het medium is helder / dat van gemengde techniek. //

De bedoeling, nee … /

het doel is het verschaffen / van een makkelijk pad door de delta /

van mijn innerlijke kronkels.

 

(text and photographs (c) Drager Meurtant, 2017)

Wrong mindset

01 Saturday Jul 2017

Posted by dragermeurtant in art, kunst, mental health, poezie

≈ Leave a comment

Tags

coping, fotografie, gedicht, gezondheid, health, nothingness, philosophy, photography, poetry, poezie

Motive

Over the past months, I had to adress problems of the mind. Outside of me (see “Neighbour”) and inside me (see “Pressing”)

Motief

In de afgelopen maanden, moest ik aandacht geven aan een aantal problemen van de geest, in de omgeving, zie “Buurman”, en van binnen, zie “Drukkend” )

(1) Neighbour

“My neighbour is a person / with some fixations.”

“Mijn buurman is iemand / met fixaties.”

 

(2) Pressing

My thoughts / are creeping in front of me / in the twilight,

between coiling branches / of bushes left and right,

aimless / and estranged.

And I’m stuck and / bound / by the channels that /

I feed.

Drukkend

Mijn gedachten / kruipen voor me uit / in het schemer,

tussen de kronkelende takken / van struiken links en rechts,

doelloos / en vervreemd.

En ik zit eraan vast / gebonden / door de kanalen die /

ik voed.

(01-07-2017, (c) Drager Meurtant)

The wholeness of elements

31 Wednesday May 2017

Posted by dragermeurtant in art, assemblage, Dada, death, installation, kunst, poezie, Uncategorized

≈ Leave a comment

Tags

assemblage, Dada, essential, fotografie, found-object, independent art, installation, kunst, philosophy, photography, poetry, poezie

An essay as Drager Meurtant, titled “Assemblages: the entrails explained”, has been published end of 2015 in Axon Journal Issue 9 (on assemblage, free on line access).

In the form of a poem, the essence of creation of assemblage can be formulated as follows:

Painting elements

Elementary pain / fits the precisionist. // When hammer hits thumb, / the outcry / of the artist / becomes the glue / of the assemblage. // And paint / drenches the pieces / into steady oneness.

painting elements

Assemblage, wood, metal, glass, paint; http://www.meurtant.exto.org (2014, in private collection)

Installations are different.

This artist must take more time to get to the essence of installations. Here are just two examples (first image, then text):

drone landed

Drone just landed in a meadow

This drone does not spy nor harm / except blades of grass / and only if pushed.
(One unique printed photo on aluminium available at 36 x 28 cm, 2013)

Bao strictcontor-2

Bao Strictcontor

In particular / at the end of day / is the bao strictcontor / subspecies Grohe / at its deadliest. / The bite can come / from the crane-shaped head / and also the circular mails / of the many tails / contain a stealthy poison / that at long stand-still / causes death of veterans. (80 x 40 x 25 cm, 2013)

 

The Appearance of Structure

23 Tuesday May 2017

Posted by dragermeurtant in art, kunst, poezie, street photography, structure, Uncategorized

≈ Leave a comment

Tags

fotografie, found-object, gedicht, kunst, photography, poetry, poezie

Structure

In the street you may find / light and dark,

the first often seen as clear / the second as obscure.

 

My words point to the opposite,

My words are in vain,

The listener just went around the corner.

 

DSCF0301

 

Now on the issue “appearance”, the following image and poem:

Demonstration

DSC04175

 

This is an illusion / not an appearance of live being / nor demon.

Unexpected meetings and illusions / have much in common.

 

 

About light

01 Monday May 2017

Posted by dragermeurtant in art, kunst, poezie, Uncategorized

≈ 1 Comment

Tags

essence, essential, fotografie, gedicht, kunst, photography, poetry, poezie

Drowning / Verdrinking

DSC05498

When light falls / on the surface / it hesitates half a second / before drowning

Als licht valt / op het oppervlak / aarzelt het een halve seconde / alvorens te verdrinken.

(And a second thought / En een tweede overdenking)

Piles / Stapels

DSC05892

One by one / I will withdraw / the words spoken / until this poem / is an empty hull.

Eén voor één / zal ik de woorden terugnemen / die zijn gesproken / tot dit gedicht / een lege huls is.

(And the last consideration for today / de laatste overdenking vandaag)

On Guard / Op Wacht

DSC03835

There is one dog / on guard. // And that is more / than enough.

Er loopt één waakhond. // En dat is meer / dan genoeg.

Inval nabij

17 Monday Apr 2017

Posted by dragermeurtant in art, Dada, poezie, street photography

≈ Leave a comment

Tags

Dada, donker, gedicht, poezie

Zacht zuigen tenen / aan de klefheid / van net gestort beton.

In trage tred / gaan gedachten / in het rond.

Afdrukken / malen stroom, / die voeten / grijs doet stollen.

De gang / van troebel / denken / trekt / strakke cirkels.

Alles wijst / op een doorbraak.

Crumble

(c) Drager Meurtant, ongeveer 2003; foto van 2015)

← Older posts

Subscribe

  • Entries (RSS)
  • Comments (RSS)

Archives

  • April 2021
  • March 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • June 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • October 2019
  • August 2019
  • June 2019
  • May 2019
  • March 2019
  • August 2018
  • March 2018
  • December 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • January 2017
  • August 2016
  • February 2016
  • September 2015
  • May 2015

Categories

  • abstract
  • archeology
  • art
  • Art competition
  • assemblage
  • creation
  • Dada
  • death
  • Decay
  • defense
  • destruction
  • development
  • Figurative art
  • France
  • graphics
  • Greece
  • History
  • inconspicious
  • inside
  • installation
  • internet
  • kunst
  • landscape
  • Le Pays
  • mental health
  • mushrooms
  • nature
  • natuur
  • outdoor
  • painting
  • philosophy
  • photography
  • poem
  • poetry
  • poezie
  • retirement
  • rocks
  • society
    • demography
  • street photography
  • structure
  • Uncategorized
  • Urban nature

Meta

  • Register
  • Log in

Create a free website or blog at WordPress.com.

Cancel

 
Loading Comments...
Comment
    ×
    Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
    To find out more, including how to control cookies, see here: Cookie Policy