Judges Report Final Round Figurative Art in Three Dimensions

Tags

3-D, abstract, Dada, decision, fotografie, installation, instruction, jury, kunst, nothingness, photography, ready-made, report, Spain, subversive, three-dimensional, wall

XXth Competion at Art Center VIMOMUX, year 2019

After thorough deliberation, trying to reach consensus and equal imput of the members of the jury, a final decision was reached on the three submitted art-peaces created by Drager Meurtant (NL, 1951)

During the process, the five members from the jury weighed the pros and cons of artistic protuberances, by applying the elementary principles prescribed for separation of figurative versus abstract (Instruction Report #A12B-567, 1983).

“Sorry Jean”

Art-peace One: “Sorry Jean” (2018)

Comments: the raw, primitive nature of the semi-figurative concrete relief, associates firmly with the wall and hence, the placement creates an actuality in addressing contemporary trauma. The integrative character expressed by the circumstantial placement on pre-existing background, makes the art an holistic event. The wholeness further enhances the pertinent relation with contemporary queries into the genesis of soul as sole force feeding eternality.

Decision: accept.

“Solitary Traveller”

Art-peace Two: “Solitary Traveller” (2018)

Comments: this ready-made, sculptural figuration really transpires the solitude, as the title implicates. By referring to the multiple miniature quadrants, the depth of research is enhanced, for the validity of use of objects – that in their history served a different role – in art practice, as this was first employed by Marcel Duchamp (Bicycle Wheel, 1913) or even earlier by the DaDa artist Elsa, the Baroness of Freytag-Loringhoven, with her Enduring Ornament (1913).

The blackish color reflects the loss of relevance of this art-medium for many art-historians. The use of one-sided lighting anguishes the perception by the viewer, in it’s ineluctable blow of the flow of time towards the end, without escape. In this way, the figure announces death, as already can be derived from the two title words.

Decision: accept.

“The Triangle”

Art-peace three: “The triangle” (2019)

Comments: the narrow margin lifting this work from two- into three dimensions serves a function as to elude from fixed barriers, frames and borders. The material applied, and the colors that follow at (superb) lighting are enchanting the spectator. With experience, however, the true meaning comes into vision: a play with prejudice, superstition and ordinary judgement. The host – when placed oppositive this well-crafted work, becomes a graft not able to suppress the primary reaction of being placed in a hostile environment. This conflict deepens the experience, since doubt opens the mind.

Decision: accept (special honor).

Members of the Jury:

Jacques de Santo Torres (chair)

Anna Viltan Navon (secretary)

Karl Hütting Wltack (member)

Vladimir Brosvokic (member)

Faith Runungongo (member)

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Sense or no sense

Tags

antenna, antenne, connection, coping, Dada, digital, fotografie, gedicht, gezondheid, health, internet, kunst, philosophy, photography, poetry, poezie, verbinding

Where and when sense switches to no – sense, is illustrated by three poems and images.

Ears

The size of ears / devised to hear signals

of distant life

parallels / the loss of perception

from life nearby.

 

Call center

“Think simple and relax:

by moving this job to Asia / the lady has more time/ to go shopping

and that’s good/ for our economy.”

 

Digital death

We are digitally / close to death

after loosing three / of our passwords

and having forgotten / the birthdate of

our parents.

The screen will snow / and our ears hear

the whistle of / the amazone

going by.

(photos and text (c) Drager Meurtant)

Parque Tématico del Granite, Los Santos

Tags

abstract, fotografie, installation, kunst, landscape, photography, poetry, Salamanca, sculpture parc, Spain

In the province of Salamanca in Spain, close to the village Los Santos, there is the amazing Parque Tématico del Granite de los Santos.

Driving small and quiet road from Salamanca to Bejar, the parc is on the left. Huge blocks of granite, derived from nearby quarry, are placed as installations (see photos).

“if you are able / to put stones together / likes tones in a composition / the wind will whistle compliments.”

 

“The stand-still of stones is a dream that moves at a speed, unvisible for the human eye”

 

“The clang of rocks, hit by a hammer, produces a pain that can be tolerated by sculptors”

 

The artist puts a metal figure on rock: stone age preceded iron age.

the last sentence I leave to you…

Moment

Tags

abstract, condition humaine, coping, Dada, essential, fotografie, gedicht, kunst, philosophy, photography, poem, poetry

When emotions no longer

are stirred by elements

that pass.

When anger is frozen

by lack of a proper

target.

Then comes the moment

to turn the page.

Wanneer emoties niet langer

worden opgeroepen door elementen

die langs komen,

Als woede is bevroren

bij gebrek aan een geschikt

doel,

Dan komt het moment

de bladzij om te slaan.

(c) Drager Meurtant, text & photo, March 1, 2018

Water – H2O

Tags

assemblage, collage, Dada, fotografie, gedicht, kunst, nothingness, painting, philosophy, photography, poetry, poezie

Let us linger on the state of water, as fluid.

Laat ons stilstaan bij de staat van water, als vloeistof.

 

(1) Barges on the River Maas

Barges flatten the water / till waves / roll aside / from the prow, /

take distance / and break upon the river-bank. //

Reeds move / and dampen the billows. //

On the river /  the distance is crossed by foam /

that separates left from right, /

there, where the goal / has been passed. //

With eyes looking ahead / steers the skipper / the vessel /

towards another bend / in the counter current. //

Crawling crosspoint / in going / passed the mill-point.

(poem 2000, photo 2012)

(1) Aken op de Maas

Aken varen water, plat / tot golven, / uit de boeg / opzij rollen, /

afstand nemen / en breken op de wal. //

Het riet beweegt / en dooft de deining. //

Op de rivier / streept schuim de afstand door / scheidt links van rechts, /

daar, waar het doel / is voorbij gevaren. //

Ogen vooruit gericht, / stuurt de schipper / zijn vaartuig /

naar weer een bocht / in de tegenstroom. //

Kruipend kruispunt / in het gaan / voorbij het maalpunt.

(gedicht 2000, foto 2012)

 

(2) The Face of the stream

“The face of the stream / changed with the seasons . . . now it wore a gentle face”

 

(from: Morris West – The devil’s advocate)

(Het gezicht van de rivier / veranderde met de seizoenen . . . nu was het aanzicht vriendelijk”)

(uit: Morris West – The devil’s advocate)

(painting / schilderij, 21×29 cm, 2017)

 

(3) Currents

Still, I don’t know / whether to swim / against the current / or to drift along. //

For the time being / I watch what / happens to others.

(3) Stromingen

Nog steeds weet ik niet / of ik tegen de stroom in / moet zwemmen /

of me mee / moet laten drijven. //

Voorlopig kijk ik toe / naar wat anderen overkomt.

(Assemblage-collage, 2016, 30x21x3 cm)

 

(all texts and artworks by Drager Meurtant, unless stated otherwise)

An easy path? / Een makkelijk pad?

Tags

Dada, emptiness, fotografie, gedicht, kunst, painting, photography, poetry, poezie, schilderij

Obstacle

Wandering in the forest / the frst impression was / to be confronted by obstacles. //

However, at close inspection / the elements had been constructed /

to bridge a gap.

Obstakel

Dwalend door het bos / was de eerste indruk / te stuiten op obstakels. //

Maar, bij nadere inspectie / bleken de elementen te zijn ontworpen /

om een kloof te dichten.

____________________________________________________________________________________

Do not enter

The medium is clear / that of mixed-media. //

The intention, no … /

the aim is to provide / an easy path through the delta /

of my inner meandering.

Ga niet binnen

Het medium is helder / dat van gemengde techniek. //

De bedoeling, nee … /

het doel is het verschaffen / van een makkelijk pad door de delta /

van mijn innerlijke kronkels.

 

(text and photographs (c) Drager Meurtant, 2017)

Borders, boundaries, barriers and walls

Tags

barrier, confinement, defense, demolition, destruction, limitation, obstruction, position, wall

Humans, and other animals, perhaps even some trees and plants, create borders to defend oneself, to keep out others, or – as an alternative – to lock (imprison) an opponent or prey.

Walking in the mountains, along old pathways of minimal capacity, I encountered barriers formed by steep rocks, that often forced me to return. At other moments, the physical capacity and lack of endurance within, blocked my way of going.

When examining the meaning, or the effect, of a wall (boundary, barrier or border) encountered on our path, or raised by ourselves as means of confinement or defense, differences become evident, depending upon our position.

In five images and texts, I will illustrate these differences.

(1) Bricks (for instance)

Take bricks, for instance / and put them on top / of one another. // This will separate / two parts. // The one you’re in / and the one you’re not in. // Didn’t realize before / that death was just another wall.

 

(2) From the outer into the inner world

Although the world / of our neighbours often looks better / than our own / most people will stick where they are. //

Here / is the passage / from the outer world / into the inner world / but it can be reached only / by crawling in between two iron plates.

 

(3) YOU CANNOT RESTRAIN ME: “No, you can’t “

(related is the following imaginary sensation)

 

(4) Locked

“For a long time / I was locked / in myself / and in the eyes / of other people. //

Until the pressure / became too high / that made me explode”.

(echo from ‘Keefman’, bundle by dutch poet Jan Arends)

 

(4) Every grain of sand

My feet wear off / on a road / that is not indicated. //

Down to the raw flesh and / the pain tells / there is no end /

other than unexpected / as destined by hazard, /

that is bloodless, and astir.

(c) Drager Meurtant, photos and texts 2014-2017)

One-hunderd-thousand miles away from nothingness

Tags

emptiness, nothingness, philosophy

On some occasions, one comes at a particular place or view, that appears empty, or even dull. Yet, at longer inspection, and at closer look, elements arise, that have ‘content’, or background. At further consideration, connections and interplay become visible, that demonstrate that the place (or view) is far from being empty, and its image fits within the theme “one-hundred-thousand miles away from nothingness.”

Road to emptiness

I looked around the corner / and you can accept my word for it / this road leads nowhere / or atmost, it leads to emptiness.

(images 1, 2 & 3 made during walk in February 2015)

“100,000 miles away from nothingness”. if you type that phrase, and search for it on the world-wide-web, a band by the name of ‘cult to follow’ appears. with a song this is nicely written, but the opposite from what I want to express.

That is, to imagine – by light-writing or photography – the state of nothingness, that was around before. Before we were, before our ancestors were. A state that lasted eons longer than the minutes of our life.
Concrete: can you from time to time make a photograph that has so little noice, sound, surface, that terms like ’emptiness, idleness, nothingness are approximated. If so, keep still…

Black heap and no more

(could talk more than one hour about what’s more)

 

Shattered

Whether these are memories / or reflections, /  that does not matter. // When frames crumble /  or even pillars tall / then both memories and reflections / will rumble and fall.

 

Imagination helps. Thus, when arriving at a spot where not much is happening, figures may appear, that start talking….

Forgotten

P: “You forgot something.”

Q: “What are you saying?”

P: “You forgot something.”

Q: “That’s what you think.”

passing a demolition site, April 2015

The Appearance of Structure

Tags

fotografie, found-object, gedicht, kunst, photography, poetry, poezie

Structure

In the street you may find / light and dark,

the first often seen as clear / the second as obscure.

 

My words point to the opposite,

My words are in vain,

The listener just went around the corner.

 

 

Now on the issue “appearance”, the following image and poem:

Demonstration

 

This is an illusion / not an appearance of live being / nor demon.

Unexpected meetings and illusions / have much in common.

 

 

Inval nabij

Tags

Dada, donker, gedicht, poezie

Zacht zuigen tenen / aan de klefheid / van net gestort beton.

In trage tred / gaan gedachten / in het rond.

Afdrukken / malen stroom, / die voeten / grijs doet stollen.

De gang / van troebel / denken / trekt / strakke cirkels.

Alles wijst / op een doorbraak.

(c) Drager Meurtant, ongeveer 2003; foto van 2015)